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(More customer reviews)Europeana -Patrik Ourednik
At the end of Europeana Ourednik observes that, "memory is renewed wheras history removes the legitimacy of the living past by fixing it in time." I say observes because hardly in this unique work could I say that Ourednik writes, yet, at the same time, his observations have such ringing aesthetic dignity to them that this is undoubtedly a work of art rather than a textbook or any other expository chuck at history. Ourednik has created a memorial rather than a museum, living in the flux of memory rather than the stronghold of history. His observations are so quick and poignant that they are more caustic than nauseating (MTV) and more unsettling than tedious (CNN). I compare him to television not because he resembles it, but because he comes close to what in television is possible yet rarely attained.
Ourednik attends detailed horrors and tongue-in-cheek sidebars with the same cool, glib composure, for example, "Above the entrance to the Buchenwald concentration camp was the sign EVERYONE GETS WHAT HE DESERVES." A note that is read so quickly and so deeply ensconced in a two-page paragraph that it is almost glossed over. But it's not. Rather than glossing over these thousand and one facts, it is the unpartisan details that gloss over the reader, showering us in horror and humor alike. The potency of the Buchenwald sign is given no precedence over, "And no one wanted to be poor anymore and everyone wanted to have a refrigerator and a cordless telephone and a dog and a cat and a tortoise and a vibrator and take part in sports and attend psychoanalysis."
or,
"And young people looked toward the future and the wind ruffled the ears of corn and the sun rose on the horizon."
And the book reads in about two maniacal hours.
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