Showing posts with label new age. Show all posts
Showing posts with label new age. Show all posts

Yanni in Words Review

Yanni in Words
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Yanni. For as well known as his music is, until now no one has known much about the man. He's given many interviews over the years but has revealed precious little about the events that have shaped his life and set him on a course to unparalleled success in the instrumental music industry. Let's face it, Yanni's success in instrumental music is nothing short of a miracle. There are many other instrumental artists who are just as talented but none have achieved his level of success. Why? Is the music of Constance Demby or David Arkenstone any less moving? Different, yes. But no less moving. Many instrumental artists have the capacity to profoundly affect people in ways that lyrical music cannot. And yet, Yanni is the only one who has reached countless millions around the globe and has even beaten Garth Brooks in concert gross revenue. Whether you love Yanni or find him easy to hate, still you must ask yourself how someone who does primarily instrumental music can reach so many.
Yanni In Words is a very moving and extremely candid autobiography. His honesty about who he is and where he has come from is commendable considering how he has been pigeon-holed as such a gentle soul based on the sound of his music. Has anyone who's seen Yanni perform or heard his uplifting compositions ever pictured him as someone who spent several years in a rock band doing not only original tunes but also ZZ Top cover tunes? Could anyone ever conceive of his having used drugs or of him having been rather promiscuous? Can anyone picture him "bombed", or as a long-time smoker? I've met several people who've put Yanni on a pedestal to the point of making him a god, less than human. Well, if you read this autobiography, there will be no question in your mind. He's just another Joe Schmo like the rest of us! His unending drive and determination just happened to thrust him into the spotlight.
Yanni in Words is a fascinating narrative of one man's determination to get his hard-to-classify music heard. He begins with the events of his days in his birthplace, Kalamata, Greece, where he broke the Greek National Freestyle swimming record at the age of 14, without the benefit of professional training. He continues to his immigration to America at the age of 18 to his tinkering with original melodies on a dilapidated piano in a University of Minnesota college dorm where he studied psychology. He elaborates on his struggles with his first record label, Private Music (now owned by BMG), and moves into his coaching from, romantic involvement and eventual break-up with Linda Evans. He goes into detail on the monumental undertakings which were the 'Live at the Acropolis' and 'Tribute' projects. Both of these stories will inspire the most jaded to continue in perseverance of their own dreams no matter the capacity!
This autobiography is a poignant and completely moving account of how success can be achieved against all odds. As I read it, I laughed aloud as Yanni recounts events such as a dinner he attended one night in China in conjunction with his performance at the Forbidden City. There he drank 'their grappa ' that tastes like socks fermented in gasoline.' He talks about 'suspicious' dishes revolving past him on a lazy susan which he was urged to try because they were Chinese delicacies ' 'parts of animal bodies that I chose not to examine too closely.' About the 'grappa' he says, ' Drink one shot of that and you can eat anything. I remember getting pretty bombed that night and thinking perhaps I should have drunk some before the meal.'
I felt the intensity of his depressed and burned out state as he spoke of staring at his hands upon waking up the day after the Tribute tour ended. 'I realized without a shred of emotion that I didn't care if I ever touched a piano again.' And he didn't ' for an entire year! For a man who lives, eats, breathes and sleeps music, that's pretty amazing - but as he states, he knew he had limits but had never found them. When he did, he crashed and burned!
Some Yanni nay-sayers may call what he has done in writing this autobiography 'calculated'. In other words, he's told his story which has been a relative enigma all these years to capitalize on his success. If that's how some feel, tell me how it's a bad idea to keep the public interested. Quite the contrary! If you want to stay in the public consciousness, you reinvent yourself and plaster your face along with your music everywhere you can! The average person has a very short attention span and they need to see as well as hear something more than once to remember it, particularly in the world we live in where we're constantly bombarded by advertising. While Yanni will certainly receive monetary gain from book sales, I think he had a story to tell; a story he needed to tell. In a recent interview, he said, 'A lot of the fans feel they know me through the music, and they do. They can feel the emotions that I deal with in the music, and they connect with it. I did it (wrote the book) to show that if a little boy from Kalamata, Greece, can do what I've done, then anyone can do it.'
Yanni's honesty in past indiscretions reveals a human being that has learned the lessons of life. His powerful views on creativity and his belief that anyone can not only exercise it, but become successful in it, are proven by his forceful will, unyielding drive and the immense level of success that resulted.
Even if you are not a Yanni fan, I recommend this book. The reason is simple. If you are interested in studying what leads to the achievement of a dream, then here in plain English, is the story of an average flesh and blood man, flaws and all, talking about how he achieved the impossible. It wasn't easy. In fact, some of what he ran up against would seem insurmountable to most people. Is Yanni unique in achieving success against all odds? Certainly not. But his story is inspiring and he is yet another person to study if you have a dream that seems impossible. We all have them and we all need inspiration.

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Yanni is practically a force of nature. With global sales of over 20 million albums, 35 gold and platinum awards, and a fan base of untold millions in nearly every corner of the world, this self-taught musician and composer has achieved a cult-like following. The Washington Post has called Yanni's career 'a miracle, a lesson in pluck that could be taught in business school, preached from pulpits and woven into bedtime stories.' In this long-awaited memoir, Yanni offers an inside look at his fascinating journey, from his boyhood in Greece, where he taught himself to play piano at the age of six, to his current status as a musical star. His path to success was sometimes rocky. With unprecedented candor, Yanni describes his long struggle to separate himself from the 'New Age' label, his ongoing battles with a music industry bewildered by his work, and the depression that threatened to derail his career. With great affection, he also discusses his long relationship with Linda Evans and shares the lessons about love and truth that he's learned from his father along the way.

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Media Now, 2010 Update: Understanding Media, Culture, and Technology, Enhanced Review

Media Now, 2010 Update: Understanding Media, Culture, and Technology, Enhanced
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The book was in great condition. I received it quickly and it was practically like new. There were no writings and no highlighting on the book.

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MEDIA NOW, 2010 Update, 6th Edition, encourages students to think critically about the media and its effects on culture by providing them with a thorough understanding of how media technologies develop, operate, converge, and affect society. MEDIA NOW develops students' media literacy skills to prepare them for their encounters in the expanding fields of the Internet, interactive media, and traditional media industries through engaging, up-to-date material that covers the essential history, theories, concepts, and technical knowledge they need to thrive. The 2010 Update of the Sixth Edition provides a comprehensive, up-to-date introduction to today's global media environment with a focus on ongoing developments in technology, culture, and critical theory that continue to transform this rapidly evolving industry and affect our daily lives.

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The New Age of Adventure: Ten Years of Great Writing Review

The New Age of Adventure: Ten Years of Great Writing
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Sports, recreation and travel libraries alike will find this collection of 25 of the best stories from the first ten years of Adventure Magazine features some extraordinary journeys. From hitchhiking across the Sahara and trekking with the last of Siberian nomads to kayaking the Grand Canyon, these are vivid, outstanding adventures highly recommended for any general lending library.

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National Geographic Adventure has published the best work by today's finest writers, and this tenth anniversary anthology assembles an elite corps of authors that includes Sebastian Junger, Peter Matthiessen, Philip Caputo, and two dozen others. These reporters have voyaged to the ends of the earth to bring back the decade's most thrilling, eccentric, and extraordinary tales. But the pieces collected here do more than paint a portrait of the world's most extreme and fascinating environments-they also explore important questions about adventure in the 21st century.These stories rocket readers across the roof of the world on the new high-speed railway in Tibet, describe the tension between Indian farmers and the sacred elephants besieging their villages, and introduce them to a shaman whom some believe can cure the most serious depressions. We meet the great Afghan warlord Ahmed Shah Massoud-said to have been the finest guerrilla fighter since Ho Chi Minh-encounter a yeti with legendary mountaineer Reinhold Messner, and much more.This is a wide-ranging collection for every road warrior and adventurer-armchair or otherwise-culled from the much acclaimed journal that in its first ten years has won millions of devoted readers and garnered more than a dozen prestigious prizes for excellence in journalism.

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