Showing posts with label bards and minstrels. Show all posts
Showing posts with label bards and minstrels. Show all posts

The Collected Poems of William Wordsworth (Wordsworth Poetry Library) Review

The Collected Poems of William Wordsworth (Wordsworth Poetry Library)
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this edition.
The Wordsworth Poetry Library offers some decent printings of the works of any number of poets for fantastic prices. These editions may not be of the best quality, but that's okay for most of the books in the collection. However, when it comes to Wordsworth, quality is an issue because of the sheer volume of his poetical works. The WPL edition of the namesake's poetry will fall apart if one attempts to actually read it. There are simply too many pages in this edition for the paperback, perfect-bound book to stay together.
When it comes to Wordsworth, a little probably goes a long way for the casual reader; such may wish to consider the Penguin edition of Selected Poems of William Wordsworth. However, those who truly wish to read (or at least own) every accessible bit of verse by the venerable poet will do well to look around (use bookfinder dot com or eBay) for old hardcover editions under the title Complete Poetical Works of William Wordsworth.
It should be stressed that the casual reader will generally find the WPL editions adequate, especially for the price, and that this volume is only a poor choice because of the amount of pages.

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William Wordsworth (1771-1850) is the foremost of the English Romantic poets. He was much influenced by the events of the French Revolution in his youth, and he deliberately broke away from the artificial diction of the Augustan and neo-classical tradition of the eighteenth century. He sought to write in the language of ordinary men and women, of ordinary thoughts, sights and sounds, and his early poetry represents this fresh approach to his art. Wordsworth spent most of his adult life in the Lake District with his sister Dorothy and his wife Mary, by whom he had four children. His remarkable autobiographical poem The Prelude was completed in 1805, but was not published until after his death, and it is included in this full edition of Wordsworth's poetry.

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Eugene O'Neill : Complete Plays 1920-1931 (Library of America) Review

Eugene O'Neill : Complete Plays 1920-1931 (Library of America)
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This exquisite collection of Eugene O'Neill's later works is worth the beautifully bound edition from the Library of America. Including some of the most enduring examples of american playwrighting excellence and some little-known gems, this collection is a must-have for the serious theater fan, theater student and certainly theatrical producers. Since last year's Tony award-winning revival of "The Iceman Cometh" and this year's "Moon for the Misbegotten" have been such successes in New York, O'Neill's most personal plays are suddenly current again. This volume edited by Travis Bogard is the perfection addition to any collection, when coupled with the equally stunning volume of O'Neill's earlier work "Eugene O'Neill:Complete Plays 1913-1920."

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The Complete English Poems (Penguin Classics) Review

The Complete English Poems (Penguin Classics)
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I am greatly enjoying this book. The notes at the end explain some of Donne's more obscure imagery. A potentially controversial choice by the editor was to change the spelling of many words to more modern forms, which makes the poems easier to read at the expense of authenticity. Some people will like that and some people won't. Another odd choice was to list the poems in alphabetical order, instead of grouping them by subject matter or attemp to list them in approxiamte chronolgical order.
Buy this book and enjoy the breathtaking poems. You could do a lot worse with your time.

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No poet has been more wilfully contradictory than John Donne, whose works forge unforgettable connections between extremes of passion and mental energy. From satire to tender elegy, from sacred devotion to lust, he conveys an astonishing range of emotions and poetic moods. Constant in his work, however, is an intensity of feeling and expression and complexity of argument that is as evident in religious meditations such as 'Good Friday 1613. Riding Westward' as it is in secular love poems such as 'The Sun Rising' or 'The Flea'. 'The intricacy and subtlety of his imagination are the length and depth of the furrow made by his passion,' wrote Yeats, pinpointing the unique genius of a poet who combined ardour and intellect in equal measure.

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